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Twenty-one years after his much-lauded film, Noa is 17, hit the big screen, director Isaac Zepel Yehurun returns to the same characters and the kibbutz movement in the sequel, She’s not 17. Where the first film looked at the early days of the crisis that gripped the kibbutz movement in the 1950s, the sequel stands as a eulogy for the whole kibbutz movement, concept, and ideology, with a focus on the crippling troubles the movement found itself in, in the nineties.
She’s not 17 opens with a motion by the movement’s General Secretary: owing to the deep debt the kibbutz has found itself in, elderly members are advised to leave and make way for “new blood”. Shraga (Shmuel Shiloh), Noa’s uncle, starts a campaign against this grim policy; he sets up a protest tent and embarks on a fight for his right to stay in the kibbutz. Meanwhile, in secret, Shraga is also fighting to stay close to Bracha (Idit Tzur), Noa’s mother with whom he is having a secret romantic relationship.
Stepping right into this already tense environment are recently widowed Noa (Dalia Shimko) who has been living in Amsterdam and her daughter, Sari (Maya Maron), who had been backpacking through India and has come back to Israel to get to the bottom of a mystery from the past. Like Noa is 17, here too, grand ideological crises end up interwoven with the characters’ own personal plights and woes.
The film won the Best Feature award at the Haifa International Film Festival.
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All rights are reserved to the Jerusalem Cinematheque – Israeli Film Archive (RA) and the rights holders of the works. Any use of works on the website for non-individual and non-personal purposes is strictly prohibited without prior, written permission.
For more information about the rights holders, please visit the relevant collection page, or contact the Jerusalem Cinematheque – Israeli Film Archive (RA) offices.
We have the utmost respect for all rights holders’ copyright and put great efforts to track down any and all intellectual property owners for the purpose of seeking and obtaining permission to use their materials featured on the website.
Any and all materials are used in accordance with clause 27a of the 2007 Copyright Act. If you believe that your rights as intellectual property and copyright owners of any material featured on this website have been compromised, then you may contact the Israeli Film Archive via email with a cease-and-desist notice, requesting that the material in alleged copyright infringement no longer be used. When contacting the archive, please state the merit to your copyright ownership claim, as well as your full name, email address, and telephone number, with a link to the relevant webpage.
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