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The first part of Haim Gouri, Jacques Ehrlich, and David Bergman’s Holocaust trilogy. The film traces Hitler’s and the Nazis’ rise to power in Germany, the persecution of the Jews, and their subsequent mass murder in the Holocaust. The film is made up of archive footage and though the survivors’ testimonials are heard in the background in the form of voiceover narration, their faces are never seen. The film’s title, The 81st Blow, is based on the testimony of Michael (Mickey) Goldman – a Holocaust survivor and later, an investigative police officer who was also the assistant to Attorney General, Gideon Hausner; the Israeli state prosecutor during the Eichmann trial. During the trial, whilst Dr. Buzminsky, a dentist and survivor of the Przemyśl Ghetto was giving evidence, he recalled a Jewish teen who had been whipped 80 times by a Nazi officer. The boy was identified as Michael Goldman who, years later would say that the 81st blow he suffered was at the hands of Israel whose people closed their hearts and turned their backs on the Holocaust survivors who had moved to Israel. The 81st Blow earned an Oscar nomination in the Best Foreign Film category. (No Subtitles)
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All rights are reserved to the Jerusalem Cinematheque – Israeli Film Archive (RA) and the rights holders of the works. Any use of works on the website for non-individual and non-personal purposes is strictly prohibited without prior, written permission.
For more information about the rights holders, please visit the relevant collection page, or contact the Jerusalem Cinematheque – Israeli Film Archive (RA) offices.
We have the utmost respect for all rights holders’ copyright and put great efforts to track down any and all intellectual property owners for the purpose of seeking and obtaining permission to use their materials featured on the website.
Any and all materials are used in accordance with clause 27a of the 2007 Copyright Act. If you believe that your rights as intellectual property and copyright owners of any material featured on this website have been compromised, then you may contact the Israeli Film Archive via email with a cease-and-desist notice, requesting that the material in alleged copyright infringement no longer be used. When contacting the archive, please state the merit to your copyright ownership claim, as well as your full name, email address, and telephone number, with a link to the relevant webpage.