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In the film that concludes the House trilogy, Gitai leaves the house on Dor Dor Verdorshav St., and embarks on a quest in search of its original occupants. He speaks to the same construction workers who had done the refurb 25 years earlier and meets with the current tenants. This time around, he accompanies the film with his own voiceover narration and delves deeper into the greater narrative arc that joins the three parts together. This brief history during which the tightly-constructed metaphor of the early 1980s grew increasingly more scattered, allows the creator to discuss the power of film; to explore all the finer details, images, and anecdotes and finally, out of all these convoluted branches, to weave together a meaningful, impactful story. This is a pensive film in which Gitai both unravels and reassembles the brief history of this one Jerusalem home as a broader metaphor for life in the Middle East that is rife with hardship, injustice, freedom, and tolerance in equal measure.
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15 ILS
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Standard Work Disclaimer
All rights are reserved to the Jerusalem Cinematheque – Israeli Film Archive (RA) and the rights holders of the works. Any use of works on the website for non-individual and non-personal purposes is strictly prohibited without prior, written permission.
For more information about the rights holders, please visit the relevant collection page, or contact the Jerusalem Cinematheque – Israeli Film Archive (RA) offices.
We have the utmost respect for all rights holders’ copyright and put great efforts to track down any and all intellectual property owners for the purpose of seeking and obtaining permission to use their materials featured on the website.
Any and all materials are used in accordance with clause 27a of the 2007 Copyright Act. If you believe that your rights as intellectual property and copyright owners of any material featured on this website have been compromised, then you may contact the Israeli Film Archive via email with a cease-and-desist notice, requesting that the material in alleged copyright infringement no longer be used. When contacting the archive, please state the merit to your copyright ownership claim, as well as your full name, email address, and telephone number, with a link to the relevant webpage.
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