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Filmmaker Daniel Wachsmann’s mockumentary focuses on the effort to bridge cultural and ideological divides via the medium of art. This is the story of Azam, a Palestinian theatre director currently working on an autobiographical play about the love story between his grandmother – an Arab singer, and granddad – a Jewish doctor – in the final days of British Mandatory rule of Palestine. Through their story, he aims to portray his own personal trauma, which is also, for all intents and purposes, a national one.
Azam decides to experiment with a bit of role reversal in that he casts Jewish actors in the Arab roles, and vice versa. However, already at rehearsals the production proves extremely contentious amongst Jews and Arabs alike – and ultimately never makes it to stage.
Wachsmann plays himself in the film, taking on the role of the documentary director and in doing so, further blurring the line between fact and fiction.
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For more information about the rights holders, please visit the relevant collection page, or contact the Jerusalem Cinematheque – Israeli Film Archive (RA) offices.
We have the utmost respect for all rights holders’ copyright and put great efforts to track down any and all intellectual property owners for the purpose of seeking and obtaining permission to use their materials featured on the website.
Any and all materials are used in accordance with clause 27a of the 2007 Copyright Act. If you believe that your rights as intellectual property and copyright owners of any material featured on this website have been compromised, then you may contact the Israeli Film Archive via email with a cease-and-desist notice, requesting that the material in alleged copyright infringement no longer be used. When contacting the archive, please state the merit to your copyright ownership claim, as well as your full name, email address, and telephone number, with a link to the relevant webpage.
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