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The title of director Tzipi Trope’s 2005 documentary is a nod to the title of Tirza Atar’s poem, ‘Ballad About my Boy Who Grew Up’; a mother’s farewell song to her son who is all grown up. The film opens on a montage of teenage boys exercising (most likely ahead of their military conscription) against the backdrop of a breathtaking seaside sunset. Footage of their workout is interspersed with video footage of then-Prime Minister, Ariel Sharon, discussing the decision to go through with Israel’s unilateral withdrawal from the Gaza Strip.
Later, the film turns its focus on two teenage boys, just before they are enlisted: Elad, whose father had served in the Gaza Strip and was wounded there, dreams of a placement in an elite military unit; and Daniel, who steadfastly refuses to become part of a military force that controls civilians in occupied territories, declares that he is willing to pay the price of his convictions.
Both were raised on the same myths woven into the very fabric of Israeli society, however; whereas one seeks to feed into them, the other hopes to shatter them. All the while, the clock is ticking, and the moment of truth is fast approaching. Each boy, in their own way, is willing to fight and sacrifice for what they believe is right. The film follows these two brave young men whose ideologies and philosophies are so fundamentally different to each other, as they tread the difficult roads ahead; paths of their own choosing – whilst illustrating the impact of their own personal choices on their families. Trope, by the by, paints a unabashedly honest portrait of Israeli society in the noughties.
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All rights are reserved to the Jerusalem Cinematheque – Israeli Film Archive (RA) and the rights holders of the works. Any use of works on the website for non-individual and non-personal purposes is strictly prohibited without prior, written permission.
For more information about the rights holders, please visit the relevant collection page, or contact the Jerusalem Cinematheque – Israeli Film Archive (RA) offices.
We have the utmost respect for all rights holders’ copyright and put great efforts to track down any and all intellectual property owners for the purpose of seeking and obtaining permission to use their materials featured on the website.
Any and all materials are used in accordance with clause 27a of the 2007 Copyright Act. If you believe that your rights as intellectual property and copyright owners of any material featured on this website have been compromised, then you may contact the Israeli Film Archive via email with a cease-and-desist notice, requesting that the material in alleged copyright infringement no longer be used. When contacting the archive, please state the merit to your copyright ownership claim, as well as your full name, email address, and telephone number, with a link to the relevant webpage.
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