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Eytan Fox’s hit drama thriller whose script was penned by his spouse and longtime collaborator, Gal Uchovsky, was the film that kicked off that year’s Berlin International Film Festival, earning rave reviews from critics and viewers alike.
Eyal (Lior Ashkenazi), a stone-cold Mossad hitman who is also the child of Holocaust survivors is the epitome of Israeli machismo, with his introverted tough guy persona. When his handler tasks him with apprehending a Nazi fugitive by the name of Alfed Himmelmann, Eyal pretends to be a tour guide who accompanies Himmelmann’s grandson, Axel (Knut Berger), who has come to Israel to visit his sister, Pia (Caroline Peters), who has been volunteering in a kibbutz. All the while, the Second Intifada rages in the background with terrorist attacks happening left, right, and centre.
The closer Eyal becomes with Axel and Pia, the more chinks appear in his armour. Being around the two siblings, the German language, and especially the openly gay Axel forces Eyal to confront some long-buried questions and fears. Along the way, the film explores the trauma and post trauma of the Holocaust, the Israeli-Palestinian conflict, and homosexuality.
Walk on Water was featured at countless festivals around the world, including Cannes and Toronto. It was also commercially released in multiple territories worldwide, making it one of the most successful Israeli films of all time.
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All rights are reserved to the Jerusalem Cinematheque – Israeli Film Archive (RA) and the rights holders of the works. Any use of works on the website for non-individual and non-personal purposes is strictly prohibited without prior, written permission.
For more information about the rights holders, please visit the relevant collection page, or contact the Jerusalem Cinematheque – Israeli Film Archive (RA) offices.
We have the utmost respect for all rights holders’ copyright and put great efforts to track down any and all intellectual property owners for the purpose of seeking and obtaining permission to use their materials featured on the website.
Any and all materials are used in accordance with clause 27a of the 2007 Copyright Act. If you believe that your rights as intellectual property and copyright owners of any material featured on this website have been compromised, then you may contact the Israeli Film Archive via email with a cease-and-desist notice, requesting that the material in alleged copyright infringement no longer be used. When contacting the archive, please state the merit to your copyright ownership claim, as well as your full name, email address, and telephone number, with a link to the relevant webpage.
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