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Following The Thin Line and Boy Meets Girl, director Michal Bat-Adam continues her autobiographical film journey. This time around, she directs herself, playing the character of a director journeying back to her childhood. The film tackles the palpable tension created by the clash between reality and memory – and is a small film “lab” of sorts in which Bat-Adam studies memory and its elusive processing in the course of filmmaking.
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