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An episode from a series of interviews with artists, produced by the Israel Film Service in collaboration with the Israeli Council of Culture and Art.
The inspiration for many of sculptor Ya’acov Dorchin’s works actually stems from painting. The reason he sculpts instead of paints, according to him, is that he lacks the required patience for painting. Perhaps there’s another reason: in 1972, his studio burned down, and paintings he had worked on for two years were reduced to ashes. Since then, he admits, it has been difficult for him to paint. However, the delicacy required for painting accompanies him, he says, even when creating sculptures that weigh tons: “There are brushes that are simply brushes, and there are brushes that are cranes,” he states.
In an interview with Meni Pe’er, Dorchin talks about some of his works, such as the series “The Angel,” the series “Requiem,” and the series “Wells” – especially “Well and Four Dogs,” which, to his disapproval, was placed on Dizengoff street in Tel Aviv.
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All rights are reserved to the Jerusalem Cinematheque – Israeli Film Archive (RA) and the rights holders of the works. Any use of works on the website for non-individual and non-personal purposes is strictly prohibited without prior, written permission.
For more information about the rights holders, please visit the relevant collection page, or contact the Jerusalem Cinematheque – Israeli Film Archive (RA) offices.
We have the utmost respect for all rights holders’ copyright and put great efforts to track down any and all intellectual property owners for the purpose of seeking and obtaining permission to use their materials featured on the website.
Any and all materials are used in accordance with clause 27a of the 2007 Copyright Act. If you believe that your rights as intellectual property and copyright owners of any material featured on this website have been compromised, then you may contact the Israeli Film Archive via email with a cease-and-desist notice, requesting that the material in alleged copyright infringement no longer be used. When contacting the archive, please state the merit to your copyright ownership claim, as well as your full name, email address, and telephone number, with a link to the relevant webpage.
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