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An episode from a series of interviews with artists, produced by the Israel Film Service in collaboration with the Israeli Council of Culture and Art.
The artist Meir Pichhadze paints the base layer of his paintings in black. He doesn’t dismiss the possibility that he does this inspired by his favorite painter, Niko Pirosmani. However, there’s another explanation: “It’s more accurate for me to work on black because there’s a feeling that anything you put on it, it’s as if you come with a flashlight and illuminate dark corners,” he says.
In Pichhadze’s life, there were dark corners, such as his sister’s suicide and the challenges he faced as an immigrant from Georgia. Yet, from his conversation with Meni Pe’er, the impression arises that he manages to illuminate at least some of these corners with a flashlight.
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For more information about the rights holders, please visit the relevant collection page, or contact the Jerusalem Cinematheque – Israeli Film Archive (RA) offices.
We have the utmost respect for all rights holders’ copyright and put great efforts to track down any and all intellectual property owners for the purpose of seeking and obtaining permission to use their materials featured on the website.
Any and all materials are used in accordance with clause 27a of the 2007 Copyright Act. If you believe that your rights as intellectual property and copyright owners of any material featured on this website have been compromised, then you may contact the Israeli Film Archive via email with a cease-and-desist notice, requesting that the material in alleged copyright infringement no longer be used. When contacting the archive, please state the merit to your copyright ownership claim, as well as your full name, email address, and telephone number, with a link to the relevant webpage.
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