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A 6-episode series, produced by the film service for the Ministry of Immigrant Absorption, which seeks to clarify the local cultural field for creators from the Soviet Union in Israel. First-rate cultural researchers lead a multifaceted dialogue with local creators, about influences that shaped the identity of Israeli culture and its products, theater, art, dance, poetry, music, architecture and literature.
The third episode, “Not on Bread Alone,” simultaneously deals with the tension between religiosity and secularism and identifies points of entry between the worlds.
It examines culture’s attempts to interpret religious concepts and the spiritual world’s response to these attempts.
The artists participating in the third episode are Bat-Sheva Ensemble, Yehoshua Sobol, Shmuel Hasfari, Roman Kunsman, Martin Holth, Ofira Henig, Dov Kantorer, and Rina Yerushalmi.
“Not on the Bread Alone” opens with a powerful dance piece performed by the Bat-Sheva ensemble from the show “Anaphasa.” Anaphasa [denotes a backward response after the division of cells] caused a public uproar when it was first performed in 1993 due to the freedom the Bat Sheva ensemble took to criticize religious symbolism through dance.
A similar change took place in European art. The hegemonic power of the Christian Church over the interpretation of symbolism, semantics, and mythology of religion cracked when innovators like Dante Alighieri interpreted the symbolism of Heaven and Hell.
Mia Kaganskaya is convinced that a culture without metaphysics has no life. Gideon Ophrat traces Israeli culture’s path from atheism to the adaptation, out of the absence, of a new hero: God. Younger generations of creators seek art that can interpret Maimonides and Dostoyevsky alike, and the Israeli art field grapples with spiritual questions, with God becoming part of its vocabulary.
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Any and all materials are used in accordance with clause 27a of the 2007 Copyright Act. If you believe that your rights as intellectual property and copyright owners of any material featured on this website have been compromised, then you may contact the Israeli Film Archive via email with a cease-and-desist notice, requesting that the material in alleged copyright infringement no longer be used. When contacting the archive, please state the merit to your copyright ownership claim, as well as your full name, email address, and telephone number, with a link to the relevant webpage.
Standard Work Disclaimer
All rights are reserved to the Jerusalem Cinematheque – Israeli Film Archive (RA) and the rights holders of the works. Any use of works on the website for non-individual and non-personal purposes is strictly prohibited without prior, written permission.
For more information about the rights holders, please visit the relevant collection page, or contact the Jerusalem Cinematheque – Israeli Film Archive (RA) offices.
We have the utmost respect for all rights holders’ copyright and put great efforts to track down any and all intellectual property owners for the purpose of seeking and obtaining permission to use their materials featured on the website.
Any and all materials are used in accordance with clause 27a of the 2007 Copyright Act. If you believe that your rights as intellectual property and copyright owners of any material featured on this website have been compromised, then you may contact the Israeli Film Archive via email with a cease-and-desist notice, requesting that the material in alleged copyright infringement no longer be used. When contacting the archive, please state the merit to your copyright ownership claim, as well as your full name, email address, and telephone number, with a link to the relevant webpage.
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