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90-92 minutes left to live. The little time he has left, Baum spends doing the most trivial day-to-day activities such as collecting his daughter and her boyfriend from school, all the while trying to sum up his life whilst contemplating and imagining his own impending funeral.
At the end of the film, in the cemetery, Levy the pimp and his bodyguard, Moshe, both of whom viewers may recall from the two previous films, have a cameo. They wait for the funeral procession to start, wondering where Baum is, with Levy suggesting that maybe “he walked through the fields” – an unmistakable throwback to Assi Dayan’s 1967 breakout role in the film of the same title.
This little meta ‘Easter egg’ does more than just conclude the trilogy – it effectively bookends a major chapter in the cinematic life of its creator, if not wrapping the decades-long narrative arc of the character of the native Israeli alpha male (‘Sabra’) in cinema, which Dayan was so synonymous with. Dayan, who started his career as the handsome, strapping combat soldier, Uri, with his thick head of hair blowing in the wind in Yosef Millo’s He Walked Through the Fields (1967), comes full circle in The 92 Minutes of Mr. Baum as a limp, naked form with little to no trace of his once glorious ‘mane.’
The film won Dayan two Ophir Awards: one for Best Original Screenplay, and Best Male Actor in a Leading Role. It was featured at the Chicago International Film Festival, and many others around the world. In 2014, the late Robin Williams starred in the film’s US adaptation, The Angriest Man in Brooklyn.
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For more information about the rights holders, please visit the relevant collection page, or contact the Jerusalem Cinematheque – Israeli Film Archive (RA) offices.
We have the utmost respect for all rights holders’ copyright and put great efforts to track down any and all intellectual property owners for the purpose of seeking and obtaining permission to use their materials featured on the website.
Any and all materials are used in accordance with clause 27a of the 2007 Copyright Act. If you believe that your rights as intellectual property and copyright owners of any material featured on this website have been compromised, then you may contact the Israeli Film Archive via email with a cease-and-desist notice, requesting that the material in alleged copyright infringement no longer be used. When contacting the archive, please state the merit to your copyright ownership claim, as well as your full name, email address, and telephone number, with a link to the relevant webpage.
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