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srael Prize winner, composer Andre Hajdu, is a multi-faceted man. Just like the Hungarian Rubric’s cube where a new color is revealed when you turn it at different angles, so is Hajdu’s complex and rich biography.
Throughout his life, Andre positioned himself as an outsider and has been able to use those contradictions as a tool for growth and a well for inspiration. He combines an uncompromising Orthodox religious life with a bold avant-garde artistic expression. This is a choice that often puts him in an awkward position in the religious world in which he lives as well as in the circles of composers and academics amongst whom he works.
The choice to live as he does creates identity issues for his six sons – and none of them has chosen to continue on his unique path. Some of them have chosen a completely secular life-style, while others live religious Orthodox lives – all the while keeping a safe distance from their father’s dangerous fires of creativity.
In THE HUNGARIAN CUBE we are presented with the complex portrait of Andre Hajdu. We get to know his work, his circuitous life-path, along with his sons and his wife Ruth, a convert to Judaism, who allows him to soar.
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All rights are reserved to the Jerusalem Cinematheque – Israeli Film Archive (RA) and the rights holders of the works. Any use of works on the website for non-individual and non-personal purposes is strictly prohibited without prior, written permission.
For more information about the rights holders, please visit the relevant collection page, or contact the Jerusalem Cinematheque – Israeli Film Archive (RA) offices.
We have the utmost respect for all rights holders’ copyright and put great efforts to track down any and all intellectual property owners for the purpose of seeking and obtaining permission to use their materials featured on the website.
Any and all materials are used in accordance with clause 27a of the 2007 Copyright Act. If you believe that your rights as intellectual property and copyright owners of any material featured on this website have been compromised, then you may contact the Israeli Film Archive via email with a cease-and-desist notice, requesting that the material in alleged copyright infringement no longer be used. When contacting the archive, please state the merit to your copyright ownership claim, as well as your full name, email address, and telephone number, with a link to the relevant webpage.