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Anat Zuria’s film brings us Leila’s story who, after more than 200 driving lessons, hires Nimar as her new driving instructor. Both are outsiders in East Jerusalem. Egyptian-born Leila was married at the age of 14 and moved to Israel with her husband; Nimar, meanwhile, was forced to cross over to the Israeli side of town following the construction of the West Bank Separation Barrier which now, effectively divided his neighbourhood of Beit Hanina. where he lives, in two.
In the course of the driving lessons, a friendship is struck up. And through their intimate conversations, Leila’s fascinating life story unfolds, as she insists on pressing on with living her best life, despite the many blows life has delivered her. Leila would like to return to her home in [the Palestinian Christian town of] Beit Jala in the West Bank, which is why she needs a driving licence (as there is no public transport to or from there.) During the lessons, we also learn of one of her daughters, Hagar’s relationship with her Jewish partner whom she wants to marry – and the many added tensions that this has brought into their mother-daughter relationship.
The Lesson won Best Documentary at the Haifa International Film Festival.
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All rights are reserved to the Jerusalem Cinematheque – Israeli Film Archive (RA) and the rights holders of the works. Any use of works on the website for non-individual and non-personal purposes is strictly prohibited without prior, written permission.
For more information about the rights holders, please visit the relevant collection page, or contact the Jerusalem Cinematheque – Israeli Film Archive (RA) offices.
We have the utmost respect for all rights holders’ copyright and put great efforts to track down any and all intellectual property owners for the purpose of seeking and obtaining permission to use their materials featured on the website.
Any and all materials are used in accordance with clause 27a of the 2007 Copyright Act. If you believe that your rights as intellectual property and copyright owners of any material featured on this website have been compromised, then you may contact the Israeli Film Archive via email with a cease-and-desist notice, requesting that the material in alleged copyright infringement no longer be used. When contacting the archive, please state the merit to your copyright ownership claim, as well as your full name, email address, and telephone number, with a link to the relevant webpage.
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