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Roughly 20 years after the making of House, Amos Gitai heads back to Jerusalem’s Dor Dor Vedorshav St. In the time that has passed, much has indeed changed: the Oslo Accords had been signed, Prime Minister Yitzhak Rabin had been assassinated, and Israeli-Palestinian reconciliation efforts had hit an impasse. Here, Gitai slightly widens the perimeter of the film’s subject matter, whilst still staying true to the same documentarist approach. He moves between a series of encounters, speaking to residents of Jerusalem’s German Colony neighbourhood; Israel Antiquities Authority staff working at the City of David excavation site; Arab and Romanian construction workers, and Dr. Mahmoud Dajani – the original homeowner’s family members. Cinematographer, Nurith Aviv’s camerawork is considerably more hands-on and investigative than her predecessor’s, including long shots of the local vistas among other things. The movement between the various interviewees and parts of Jerusalem comes together to paint a portrait of Jerusalem as an intersection of sorts where the tangible presence of the city’s famous Jerusalem stone and its homes converges with the transience of its residents – immigrants and migrants looking for a way to cement their identities and to put down roots. (No Subtitles)
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All rights are reserved to the Jerusalem Cinematheque – Israeli Film Archive (RA) and the rights holders of the works. Any use of works on the website for non-individual and non-personal purposes is strictly prohibited without prior, written permission.
For more information about the rights holders, please visit the relevant collection page, or contact the Jerusalem Cinematheque – Israeli Film Archive (RA) offices.
We have the utmost respect for all rights holders’ copyright and put great efforts to track down any and all intellectual property owners for the purpose of seeking and obtaining permission to use their materials featured on the website.
Any and all materials are used in accordance with clause 27a of the 2007 Copyright Act. If you believe that your rights as intellectual property and copyright owners of any material featured on this website have been compromised, then you may contact the Israeli Film Archive via email with a cease-and-desist notice, requesting that the material in alleged copyright infringement no longer be used. When contacting the archive, please state the merit to your copyright ownership claim, as well as your full name, email address, and telephone number, with a link to the relevant webpage.
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