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An arthouse documentary about the pop art movement featuring artists Michael Eisemann, Joav BarEl, and Michael Druks. In the film, Eisemann explains how he weaves elements of his immediate surroundings into his works, whilst referencing the works of earlier artists. It is through this interweaving, he explains, that he seeks to create something altogether new.
BarEl portrays pop art as a movement based on mass culture, whose main preoccupation is with the present day. In his view, seeing as how the pop artist is very much immersed in contemporary life, their works serve as a direct extension of their socio-political views. Also, as pop directly relates to life itself, it too breaks out of the confines of the canvass and in doing so, illustrates how pop art did away with art’s traditional divides into different media, and introduced whole new dynamics between the art object and its consumers – the audience. This shift is also evident in the transition to environmental and conceptual art, as demonstrated in BarEl’s 1970 piece, Centre of the World, that is featured in the film.
Finally, Druks adds that the pop art movement grew out of the tangible world, seeing as the artists feature in their works slivers of their lived reality that has become faster-paced, denser, and more urban than ever before. Druks discusses the inspiration he finds in tangible materials, acts of chance and coincidence, and the collage technique, and posits that his art bespeaks a social trend made manifest via humour and irony.
From Venus to Marilyn was produced with the help of experimental artist and cultural figure Joav BarEl who served as a consultant on the film. Between 1971-1972, BarEl developed and created a series of films for Channel 1, along with filmmaker and avantgarde artist Jacques Katmor and cinematographer Amnon Solomon. Their films were steeped in the art and critical thinking of their time, focusing on a range of working artists (male and female) and their artistic oeuvre.
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All rights are reserved to the Jerusalem Cinematheque – Israeli Film Archive (RA) and the rights holders of the works. Any use of works on the website for non-individual and non-personal purposes is strictly prohibited without prior, written permission.
For more information about the rights holders, please visit the relevant collection page, or contact the Jerusalem Cinematheque – Israeli Film Archive (RA) offices.
We have the utmost respect for all rights holders’ copyright and put great efforts to track down any and all intellectual property owners for the purpose of seeking and obtaining permission to use their materials featured on the website.
Any and all materials are used in accordance with clause 27a of the 2007 Copyright Act. If you believe that your rights as intellectual property and copyright owners of any material featured on this website have been compromised, then you may contact the Israeli Film Archive via email with a cease-and-desist notice, requesting that the material in alleged copyright infringement no longer be used. When contacting the archive, please state the merit to your copyright ownership claim, as well as your full name, email address, and telephone number, with a link to the relevant webpage.
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