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In this cinematic portrait of painter, Moshe Mokady, filmmaker Bella Baram captures the artist whilst he was working at the Ein Hod artist village. She sits down with Mokady for an interview about his career, and the evolution of his artistic style – the impact that both the School of Paris and Russian painter, Chaïm Soutine have had on his aesthetic, and his eventual turn to a simpler style of painting, to the point of even dabbling in monochrome art. If anything, it is when encountering Mokady’s unbridled honestly about the criticism he has received, his own scepticism, and his insistence on going against the grain and making local art amidst the dominance of an international style that an image of a highly conscious and skilled artist with a uniquely individual style who did not necessarily fancy himself part of the national ethos, emerges with stark clarity.
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For more information about the rights holders, please visit the relevant collection page, or contact the Jerusalem Cinematheque – Israeli Film Archive (RA) offices.
We have the utmost respect for all rights holders’ copyright and put great efforts to track down any and all intellectual property owners for the purpose of seeking and obtaining permission to use their materials featured on the website.
Any and all materials are used in accordance with clause 27a of the 2007 Copyright Act. If you believe that your rights as intellectual property and copyright owners of any material featured on this website have been compromised, then you may contact the Israeli Film Archive via email with a cease-and-desist notice, requesting that the material in alleged copyright infringement no longer be used. When contacting the archive, please state the merit to your copyright ownership claim, as well as your full name, email address, and telephone number, with a link to the relevant webpage.
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