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Yoma is off to see her boyfriend, Raif, in his village in the Occupied Territories. They head back to her flat in Jerusalem and in the morning, an Israeli Secret Service team comes charging in, looking for Raif. After he’s arrested, Yoma attempts to locate him. However, her friends at the university’s student left wing society tell her it can’t be done; her university professor is not even sure Raif is innocent, whilst Yoma’s father is resentful of the very fact his daughter is seeing an Arab. The only one who seems willing to give her the time of day is one Secret Service agent. The latter is convinced that Raif has ties to terrorism and is determined to get Yoma on board with helping them. A little while before director, Michèle Ohayon’s Hollywood career began to take off, she directed Pressure as part of her degree course at Tel Aviv University’s Department of Film and Television Studies. And whilst at times, the directing is a bit rough around the edges, the film is not without its interesting aspects: the uncompromisingly direct script that takes on the relationship between a Jewish woman and Palestinian man; the ability to capture and portray Israeli university campuses’ political zeitgeist of the 1980s but primarily, the far from implicit presence of Israeli security services in everyday civilian life. One is unlikely to find many, if any other films of that time that tackled any of these issues. The plot explores a range of conflicts that remain ever-pertinent, and the discussion of those risks venturing into superficial platitude territory – both in and out of the film – however, memorable performances by Orly Silbersatz and mainly, the great Nissim Zohar add an additional, quality layer of human complexity to the film.
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All rights are reserved to the Jerusalem Cinematheque – Israeli Film Archive (RA) and the rights holders of the works. Any use of works on the website for non-individual and non-personal purposes is strictly prohibited without prior, written permission.
For more information about the rights holders, please visit the relevant collection page, or contact the Jerusalem Cinematheque – Israeli Film Archive (RA) offices.
We have the utmost respect for all rights holders’ copyright and put great efforts to track down any and all intellectual property owners for the purpose of seeking and obtaining permission to use their materials featured on the website.
Any and all materials are used in accordance with clause 27a of the 2007 Copyright Act. If you believe that your rights as intellectual property and copyright owners of any material featured on this website have been compromised, then you may contact the Israeli Film Archive via email with a cease-and-desist notice, requesting that the material in alleged copyright infringement no longer be used. When contacting the archive, please state the merit to your copyright ownership claim, as well as your full name, email address, and telephone number, with a link to the relevant webpage.
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