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Director Uri Bar-On’s docu-activist film follows a group of student volunteers who have been tracking Israeli immigration’s enforcement and compliance unit (aka ‘Deportation Police’) at a time when media reports were rife with accounts of excessive violence used against migrants. The volunteers, armed with their cameras, were instructed to film nonstop. Their camera, as it were, is their insurance policy against the police – perhaps, with its help, they may even bring down some of the anti-migrant violence.
The title of the film comes from the number plates of the vehicles used by the immigration authority that always start with the number ‘52’ and end with a ‘50’. Over time, migrants, undocumented workers, and asylum seekers started referring to them as ‘fifty-two fifty.’
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For more information about the rights holders, please visit the relevant collection page, or contact the Jerusalem Cinematheque – Israeli Film Archive (RA) offices.
We have the utmost respect for all rights holders’ copyright and put great efforts to track down any and all intellectual property owners for the purpose of seeking and obtaining permission to use their materials featured on the website.
Any and all materials are used in accordance with clause 27a of the 2007 Copyright Act. If you believe that your rights as intellectual property and copyright owners of any material featured on this website have been compromised, then you may contact the Israeli Film Archive via email with a cease-and-desist notice, requesting that the material in alleged copyright infringement no longer be used. When contacting the archive, please state the merit to your copyright ownership claim, as well as your full name, email address, and telephone number, with a link to the relevant webpage.
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