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As far as I’m concerned, this scene is the crystallised epitome of my father’s finetuned ability to play with the Hebrew language as only a few (e.g. Meir Ariel, Hanoch Levin, David Avidan) in Israeli culture have ever been able to. This hysterically funny scene is peppered with so many achingly brilliant turns of phrases (from “the day before yesterday was only yesterday and tomorrow’s already the day after”, to “Nablus and Gomorrah”, “a terrible tragedy; national tragedy,” and “must life go on” to name but a few,), one cannot help but rule that this is by far and wide, one of Israeli film’s greatest linguistic and comedic triumphs. I have firsthand knowledge that my father too, considered this scene one of his screenwriting peaks and to this day, I have this memory of him quoting dialogue from that scene and cracking up, etched into my mind.
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For more information about the rights holders, please visit the relevant collection page, or contact the Jerusalem Cinematheque – Israeli Film Archive (RA) offices.
We have the utmost respect for all rights holders’ copyright and put great efforts to track down any and all intellectual property owners for the purpose of seeking and obtaining permission to use their materials featured on the website.
Any and all materials are used in accordance with clause 27a of the 2007 Copyright Act. If you believe that your rights as intellectual property and copyright owners of any material featured on this website have been compromised, then you may contact the Israeli Film Archive via email with a cease-and-desist notice, requesting that the material in alleged copyright infringement no longer be used. When contacting the archive, please state the merit to your copyright ownership claim, as well as your full name, email address, and telephone number, with a link to the relevant webpage.