- All cinematheque content is available indefinitely
- Discounted rates apply to guest content
The theatrics, the art of impersonation, and performative “role-play” are all part and parcel of camp culture which Guttman would use extensively and successfully, time and again. Already at the start of Drifting (the original, short version), he included a scene in a gay dive bar that’s trying to glam itself up a bit, and at the centre of which is a cabaret act performed by an effeminate Boaz Turgeman who is seen prancing about to the tune of Kate Bush’s ‘Full House’ whilst flirting and fondling the punters. The same Turgeman later returns in the feature-length version of Drifting; this time, with an eighties-esque performance piece. Guttman famously included performance sequences in his films – from the striptease and the preppy singer performing a ridiculous song in Bar 51 to a number by singer and cabaret artist, Hamuchtar in Amazing Grace. When asked about it, Guttman remarked how, “in each of my films, I’ve always tried to show the sublime, operatic, and absurd side by side.”
We recommend that you view the website in vertical mode.
An e-mail was sent to you. To recover the password, click on the link.
There is a problem to recover the password, please try again.
15 ILS
This option is only available to registered users.
Registration is free and recommended for everyone – Registered users can save and rate films, write and share personal reviews, and lots more.
Orphaned Work Disclaimer
All rights are reserved to the Jerusalem Cinematheque – Israeli Film Archive (RA) and the rights holders of the works. Any use of works on the website for non-individual and non-personal purposes is strictly prohibited without prior, written permission.
For more information about the rights holders, please visit the relevant collection page, or contact the Jerusalem Cinematheque – Israeli Film Archive (RA) offices.
We have the utmost respect for all rights holders’ copyright and put great efforts to track down any and all intellectual property owners for the purpose of seeking and obtaining permission to use their materials featured on the website.
Any and all materials are used in accordance with clause 27a of the 2007 Copyright Act. If you believe that your rights as intellectual property and copyright owners of any material featured on this website have been compromised, then you may contact the Israeli Film Archive via email with a cease-and-desist notice, requesting that the material in alleged copyright infringement no longer be used. When contacting the archive, please state the merit to your copyright ownership claim, as well as your full name, email address, and telephone number, with a link to the relevant webpage.
Standard Work Disclaimer
All rights are reserved to the Jerusalem Cinematheque – Israeli Film Archive (RA) and the rights holders of the works. Any use of works on the website for non-individual and non-personal purposes is strictly prohibited without prior, written permission.
For more information about the rights holders, please visit the relevant collection page, or contact the Jerusalem Cinematheque – Israeli Film Archive (RA) offices.
We have the utmost respect for all rights holders’ copyright and put great efforts to track down any and all intellectual property owners for the purpose of seeking and obtaining permission to use their materials featured on the website.
Any and all materials are used in accordance with clause 27a of the 2007 Copyright Act. If you believe that your rights as intellectual property and copyright owners of any material featured on this website have been compromised, then you may contact the Israeli Film Archive via email with a cease-and-desist notice, requesting that the material in alleged copyright infringement no longer be used. When contacting the archive, please state the merit to your copyright ownership claim, as well as your full name, email address, and telephone number, with a link to the relevant webpage.