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Guttman’s soft spot was not exclusive to great artists who have crashed, burned, and fallen from grace. His heart also went out to failed, would-be creators and aspiring stage performers; pathetic losers devoid of any and all self-awareness; bit players who will never get top billing – a little like Bar 51’s backup dancer whose career peaked when he appeared in a children’s live action special.
These artists aren’t always aware of their own lack of talent and as such, they never give up the ghost. This is the case with the bartender (Dov Navon) at the club Amazing Grace’s protagonist (Sharon Alexander) ends up in with his younger date (Gal Hoyberger). The exasperating bartender who does not possess a shred of self-awareness is badgering Thomas, telling him how “I’ve written some songs for Eurovision. I’ll probably end up performing them myself. Yes, I will. “
Guttman digs his catty claws even deeper into the cringeworthy lyricist by letting him further embarrass himself. “Urgh, it’s such a drag,” he complains to Thomas. “I’m missing the one word for the chorus that would work both in Hebrew and in Arabic, cos this song, yeah? You, Me and This Land, in case you haven’t noticed, is a bit political. For years, I resisted mixing politics and art, but you can’t ignore the state of things anymore, can you?” Thomas is simply unable to mask or stifle his sniggering, contemptuous laugh.
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For more information about the rights holders, please visit the relevant collection page, or contact the Jerusalem Cinematheque – Israeli Film Archive (RA) offices.
We have the utmost respect for all rights holders’ copyright and put great efforts to track down any and all intellectual property owners for the purpose of seeking and obtaining permission to use their materials featured on the website.
Any and all materials are used in accordance with clause 27a of the 2007 Copyright Act. If you believe that your rights as intellectual property and copyright owners of any material featured on this website have been compromised, then you may contact the Israeli Film Archive via email with a cease-and-desist notice, requesting that the material in alleged copyright infringement no longer be used. When contacting the archive, please state the merit to your copyright ownership claim, as well as your full name, email address, and telephone number, with a link to the relevant webpage.