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“A country in waiting.” These are the words Kobi Oz used to describe Tel Aviv’s old central bus station in the sentimental hit by Teapacks. Mulli, Planet Blue’s protagonist, gets off the bus and already wants to buy another ticket for Cairo. From there, he might continue to Thailand or India. Planet Blue relates to people waiting for “change.” They are done waiting. Leaving Tel Aviv to go anywhere, to the unknown, to the illusion. Drugs in Planet Blue are not presented directly, but as an abstract scripted overtone appearing as a lingering spirit. Psychedelics have always been referred to as an entryway to different worlds – alien, interplanetary, timeless. Planet Blue’s dimension seeks external redemption. A bus suddenly passes by, honks, and the camera follows it. A sign appears: “Tel Aviv’s New Central Bus Station will open on 18.8.1993,” like Marty Macfly in Back to the Future 3 when he goes back to 1885 and finds out about the future construction of the clock tower from Back to the Future 1. Past and future collide, old and new. Cities rise and fall and maybe aliens will show up soon and take us away from here.
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All rights are reserved to the Jerusalem Cinematheque – Israeli Film Archive (RA) and the rights holders of the works. Any use of works on the website for non-individual and non-personal purposes is strictly prohibited without prior, written permission.
For more information about the rights holders, please visit the relevant collection page, or contact the Jerusalem Cinematheque – Israeli Film Archive (RA) offices.
We have the utmost respect for all rights holders’ copyright and put great efforts to track down any and all intellectual property owners for the purpose of seeking and obtaining permission to use their materials featured on the website.
Any and all materials are used in accordance with clause 27a of the 2007 Copyright Act. If you believe that your rights as intellectual property and copyright owners of any material featured on this website have been compromised, then you may contact the Israeli Film Archive via email with a cease-and-desist notice, requesting that the material in alleged copyright infringement no longer be used. When contacting the archive, please state the merit to your copyright ownership claim, as well as your full name, email address, and telephone number, with a link to the relevant webpage.