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To paraphrase Chekhov’s famous words, a central station that appears in the first act must open the third act. Mulli arrives at the architectural wonder of the 90s. An intimidating building turned into a horrible monster. Not yet visible are the abandonment, filth, refugees, and junkies, scattered amongst the occasional travelers. The escalators go up and down. Neon lights gleam from the ceiling. It looks like a completely futuristic scene. Everything is brand new. The sloping walls look like spaceships. The fluorescent green EXIT sign appears on the right. And more signs. יציאה, EXIT, יציאה,, EXIT. “My bus line leads to Planet Blue, because my whole existence is over there,” Mulli says to himself. In the next scene, he’s dirty and has already gotten stubbles. Maybe the bus to Planet Blue will never arrive. To quote Dr. Seuss, “All that waiting and staying.” In the meantime, we’re stuck in purgatory, neither heaven nor hell, a temporary situation between EXIT and EXIT. Central Station.
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For more information about the rights holders, please visit the relevant collection page, or contact the Jerusalem Cinematheque – Israeli Film Archive (RA) offices.
We have the utmost respect for all rights holders’ copyright and put great efforts to track down any and all intellectual property owners for the purpose of seeking and obtaining permission to use their materials featured on the website.
Any and all materials are used in accordance with clause 27a of the 2007 Copyright Act. If you believe that your rights as intellectual property and copyright owners of any material featured on this website have been compromised, then you may contact the Israeli Film Archive via email with a cease-and-desist notice, requesting that the material in alleged copyright infringement no longer be used. When contacting the archive, please state the merit to your copyright ownership claim, as well as your full name, email address, and telephone number, with a link to the relevant webpage.