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Tel Aviv is always portrayed in Guttman’s films as a stylised, outlandish, dreamy, expressionistic, and out-of-touch city. At the same time, it is also often depicted as a nocturnal, decayed, and decrepit place. At times, one is left feeling a fairytale-like sense of detachment – as if they might as well be anywhere – but also a loss of innocence. The scene that is most evocative of Tel Aviv life a-la Guttman is undoubtedly Bat 51’s Old Central Bus Station scene, immaculately shot by Yossi Wein. At the heart of the film are orphaned siblings, Thomas (the late Juliano Mer-Khamis) and Marianna (Smadar Kilchinsky), who leave their small town and head to the big city. The two find shelter in the Old Central Bus Station area and Thomas goes out to explore their new surroundings. Whilst out and about, he is exposed to a dark, violent, hostile, exploitative and sexualised world with criminals and prostitutes galore. Through the smokey emissions of the last buses pulling into their depot for the night, she emerges – Apolonia Goldstein (Ada Valerie-Tal); the sequin-clad queen of the night, with her plunging neckline and fake jewellery. She asks Thomas to join her for coffee and some sandwiches and later, to set up shop at her place and in her bed. Their fateful encounter will end up upending the lives of all those involved.
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All rights are reserved to the Jerusalem Cinematheque – Israeli Film Archive (RA) and the rights holders of the works. Any use of works on the website for non-individual and non-personal purposes is strictly prohibited without prior, written permission.
For more information about the rights holders, please visit the relevant collection page, or contact the Jerusalem Cinematheque – Israeli Film Archive (RA) offices.
We have the utmost respect for all rights holders’ copyright and put great efforts to track down any and all intellectual property owners for the purpose of seeking and obtaining permission to use their materials featured on the website.
Any and all materials are used in accordance with clause 27a of the 2007 Copyright Act. If you believe that your rights as intellectual property and copyright owners of any material featured on this website have been compromised, then you may contact the Israeli Film Archive via email with a cease-and-desist notice, requesting that the material in alleged copyright infringement no longer be used. When contacting the archive, please state the merit to your copyright ownership claim, as well as your full name, email address, and telephone number, with a link to the relevant webpage.