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Koko is 19, the title of director Dan Verete’s feature-length debut is in fact a response to Noa at 17 (1982) – an earlier film by Verete’s peer, director Isaac Zepel Yeshurun. Noa at 17, the earlier of the two films, followed the coming-of-age journey of Noa – an Ashkenazi, Tel Avivian teenager, set against the backdrop of the kibbutz movement’s steady decline, whereas Verete’s film is a social drama that employs an amateur cast and a neorealist aesthetic to depict an altogether different Israeli coming-of-age narrative: this is the tale of Koko, an Israeli of Mizrahi (Middle Eastern Jew) descent, who lives in a working class part of Jerusalem and is in a rock band. When a straightlaced, middle class musical group covers Koko’s song, it becomes an instant hit, only Koko gets to reap none of the rewards and ends up falling into a life of crime.
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We have the utmost respect for all rights holders’ copyright and put great efforts to track down any and all intellectual property owners for the purpose of seeking and obtaining permission to use their materials featured on the website.
Any and all materials are used in accordance with clause 27a of the 2007 Copyright Act. If you believe that your rights as intellectual property and copyright owners of any material featured on this website have been compromised, then you may contact the Israeli Film Archive via email with a cease-and-desist notice, requesting that the material in alleged copyright infringement no longer be used. When contacting the archive, please state the merit to your copyright ownership claim, as well as your full name, email address, and telephone number, with a link to the relevant webpage.
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