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Filmmaker Moran Ifergan trawled through two private home movie collections shot in the nascent days of the State of Israel. Out of all this footage, deposited in the Israel Film Archive, Ifregan curated a collection of imagery from the world of childhood and family life, which resulted in Opening Statistics: a piece juxtaposing two lived childhood experiences from those early years – two worlds that co-existed in Israel at the time. Consequently, the piece also sheds light on the archive as an institution that offers an equal home to footage representing fundamentally different, complex realities.
Original Archival Footage:
• The Fred Monosson Collection: a Jewish-American magnate, philanthropist, and Zionist activist who, during his visits to Israel in the 1950s onwards, shot dozens of private and public functions on his 16mm camera, featuring key figures in Israeli culture and society (Collection kindly made available by Avishai Kfir.)
• The Hannah Farkas-Himsley Collection: Farkas, a doctor of bacteriology at Jerusalem’s Hebrew University, shot countless hours of first-person POV footage on her 8mm camera featuring family, friends and acquaintances, Israeli landscapes and of course, the people (collection kindly made available by the family.)
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Orphaned Work Disclaimer
All rights are reserved to the Jerusalem Cinematheque – Israeli Film Archive (RA) and the rights holders of the works. Any use of works on the website for non-individual and non-personal purposes is strictly prohibited without prior, written permission.
For more information about the rights holders, please visit the relevant collection page, or contact the Jerusalem Cinematheque – Israeli Film Archive (RA) offices.
We have the utmost respect for all rights holders’ copyright and put great efforts to track down any and all intellectual property owners for the purpose of seeking and obtaining permission to use their materials featured on the website.
Any and all materials are used in accordance with clause 27a of the 2007 Copyright Act. If you believe that your rights as intellectual property and copyright owners of any material featured on this website have been compromised, then you may contact the Israeli Film Archive via email with a cease-and-desist notice, requesting that the material in alleged copyright infringement no longer be used. When contacting the archive, please state the merit to your copyright ownership claim, as well as your full name, email address, and telephone number, with a link to the relevant webpage.
Standard Work Disclaimer
All rights are reserved to the Jerusalem Cinematheque – Israeli Film Archive (RA) and the rights holders of the works. Any use of works on the website for non-individual and non-personal purposes is strictly prohibited without prior, written permission.
For more information about the rights holders, please visit the relevant collection page, or contact the Jerusalem Cinematheque – Israeli Film Archive (RA) offices.
We have the utmost respect for all rights holders’ copyright and put great efforts to track down any and all intellectual property owners for the purpose of seeking and obtaining permission to use their materials featured on the website.
Any and all materials are used in accordance with clause 27a of the 2007 Copyright Act. If you believe that your rights as intellectual property and copyright owners of any material featured on this website have been compromised, then you may contact the Israeli Film Archive via email with a cease-and-desist notice, requesting that the material in alleged copyright infringement no longer be used. When contacting the archive, please state the merit to your copyright ownership claim, as well as your full name, email address, and telephone number, with a link to the relevant webpage.
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